The Glass Menagerie

by Tennesee Williams

July 6 – July 21, 1962

Amanda Wingfield is a faded, tragic remnant of Southern gentility who lives in poverty in a dingy St. Louis apartment with her son, Tom, and her daughter, Laura. Amanda strives to give meaning and direction to her life and the lives of her children, though her methods are ineffective and irritating. Tom is driven nearly to distraction by his mother’s nagging and seeks escape in alcohol and the world of the movies. Laura also lives in her illusions. She is crippled, and this defect, intensified by her mother’s anxiety to see her married, has driven her more and more into herself. The crux of the action comes when Tom invites a young man of his acquaintance to take dinner with the family. Jim, the caller, is a nice ordinary fellow who is at once pounced upon by Amanda as a possible husband for Laura. In spite of her crude and obvious efforts to entrap the young man, he and Laura manage to get along very nicely, and momentarily Laura is lifted out of herself into a new world. But this crashes when, toward the end, Jim explains that he is already engaged. The world of illusion that Amanda and Laura have striven to create in order to make life bearable collapses about them. Tom, too, at the end of his tether, at last leaves home.

Arsenic and Old Lace

by Joseph Kesselring

June 1 -June 16, 1962

The play is a farcical black comedy revolving around Mortimer Brewster, a drama critic who must deal with his crazy, homicidal family and local police in Brooklyn, NY, as he debates whether to go through with his recent promise to marry the woman he loves. His family includes two spinster aunts who have taken to murdering lonely old men by poisoning them with a glass of home-made elderberry wine laced with arsenic, strychnine, and “just a pinch” of cyanide; a brother who believes he is Teddy Roosevelt and digs locks for the Panama Canal in the cellar of the Brewster home (which then serve as graves for the aunts’ victims); and a murderous brother who has received plastic surgery performed by an alcoholic accomplice, Dr. Einstein (a character based on real-life gangland surgeon Joseph Moran) to conceal his identity and now looks like horror-film actor Boris Karloff (a self-referential joke, as the part was originally played by Karloff). The film adaptation follows the same basic plot, with a few minor changes. It is customary, after the cast takes several curtain calls, for the final one to finish with the “murder victims” (often well-known local personalities) entering from the basement and joining the cast for the final bow.

The Madwoman of Chaillot

by MAURICE VALENCY