The Seven Year Itch

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The Seven Year Itch

by George Axelrod

Richard Sherman roams restlessly around his empty apartment, bemoaning the fact that his wife of seven years, and their son, have just walked out on him. Then, without warning, a gigantic flower pot tumbles down from an overhead balcony, nearly putting him permanently out of his misery. The jarring event has a strange effect on Richard. He now sees his marriage as wasted time and feels it necessary to exercise his libido as quickly as possible. Suddenly reborn, he invites the delectable doll who lives on the floor above down for an evening of temptation. The night doesn’t quite go the way he thought it would, as morality and guilt sneak into his head. In his conscience—literally following him about the apartment—a soul-struggle of heroic and hilarious proportions ensues.

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Death of a Salesman

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Death of a Salesman

by Arthur Miller

The story revolves around the last days of Willy Loman, a failing salesman, who cannot understand how he failed to win success and happiness. Through a series of tragic soul-searching revelations of the life he has lived with his wife, his sons, and his business associates, we discover how his quest for the “American Dream” kept him blind to the people who truly loved him. A thrilling work of deep and revealing beauty that remains one of the most profound classic dramas of the American theatre.

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Critics Choice

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Critics Choice

by Ira Levin

A play in three acts, Critic’s Choice tells the story of theater critic Parker Ballantine whose second wife, Angela, writes a play which is produced on Broadway. The play is awful and Parker must decide whether or not to review the play honestly.

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The Brick and the Rose

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The Brick and the Rose

by Lewis John Carlino

An expressionistic reading, in which ten actors, portraying forty-seven characters, are seated on stools behind music stands. A powerful and compelling drama. The entire action takes place in front of back drops. This is the kaleidoscopic drama of a young boy of the slums from the moment of his birth in a charity hospital, until his tragic death. In an effort to find something besides “hardness and hitting out, and twisted people all afraid”, Tommy turns to narcotics, and thus creates his own world: one in which he is not constantly gnawed by an acute awareness of the meaninglessness of what is going on around him. He meets Alice, in whom he sees his life-long search for beauty: the rose behind the hard brick city. He knows that he has only touched this beauty for an instant, and he sees it moving farther away from him. At last, in a final escape from the squalor around him, he takes an overdose of narcotics, and ends his search.

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A Phoenix Too Frequent

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A Phoenix Too Frequent

by Christopher Fry

In this version of the famous Matron of Ephesus, we have a fresh retelling of the story of a pious widow—and her maid—who mourns for the death of her recently deceased husband in the tomb where his bier lies awaiting internment. The maid is not quite so pious, yet both women begin to suffer the pangs of a self-imposed hunger. There are signs that they also are unhappy over the loss of male company, but not until a handsome guard appears does the widow begin regretting her noble experiment in withdrawing from the world. The guard is invited to keep the ladies company, and he in turn invites them to partake of his food. Before long the widow is ready to forget her pious devotions and shows indications of returning speedily to a worldly and pleasant life which she had too soon decided to give up.

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The Man in the Dog Suit

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The Man in the Dog Suit

by Albert Beich and William H Wright

Oliver is being groomed by his in-laws for a position in the family business: banking. Shy and ineffectual under ordinary circumstances, Oliver discovers that he can be bold and independent when wearing the dog costume he had acquired for a masquerade ball. Donning it on the proper occasions, he can even outface his in-laws. They, in turn, are appalled at the thought of Oliver’s wearing the dog suit in public. When he wears it to work at the bank he’s told he must choose between the dog suit and his job. To his delight, he discovers that his wife is as bored with their stuffy life as he is, and they suddenly decide to head for the great woods of Oregon, where Oliver can pursue his dream of being a tree surgeon. The in-laws are shocked, except for one: As Oliver leaves, his brother-in-law takes over the dog suit, and another hilarious rebellion is apparently on its way.

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Volpone

   

Volpone 

by Ben Jonson

September 28 –  November 13, 1962

Volpone, a Venetian gentleman, is pretending to be on his deathbed after a long illness in order to dupe Voltore, Corbaccio and Corvino, who aspire to his fortune. They each arrive in turn, bearing extravagant gifts with the aim of being inscribed as Volpone’s heir. Mosca, Volpone’s assistant, encourages them, making each of them believe that he has been named in the will, and getting Corbaccio to disinherit his son in favour of Volpone.

Mosca mentions in passing that Corvino has a beautiful wife, Celia, and Volpone goes to see her in the disguise of Scoto the Mountebank. Corvino drives him away, but Volpone is now insistent that he must have Celia for his own. Mosca tells Corvino that Volpone requires sex with a young woman to help revive him, and will be very grateful to whoever provides the lady. Corvino offers Celia.

Just before Corvino and Celia are due to arrive for this tryst to take place, Corbaccio’s son Bonario arrives to catch his father in the act of disinheriting him. Mosca ushers him into a sideroom. Volpone is left alone with Celia, and after failing to seduce her with promises of luxurious items and role-playing fantasies, attempts to rape her. Bonario sees this, comes out of hiding and rescues Celia. However, in the ensuing courtroom sequence, the truth is well-buried by the collusion of Mosca, Volpone and all three of the dupes.

Volpone now insists on disguising himself as an officer and having it announced that he has died and left all his wealth to Mosca. This enrages Voltore, Corbaccio and Corvino, and everyone returns to court. Despite Volpone’s pleas, Mosca refuses to give up his wealthy new role, and Volpone decides to reveal himself in order to take Mosca down with him. They, Voltore, Corbaccio and Corvino are punished.

This main plot is interspersed with episodes involving the English travellers Sir and Lady Politic Would-Be and Peregrine. Sir Politic constantly talks of plots and his outlandish business plans, while Lady Would-Be annoys Volpone with her ceaseless talking. Mosca co-ordinates a mix-up between them which leaves Peregrine, a more sophisticated traveller, feeling offended. He humiliates Sir Politic by telling him he is to be arrested for sedition, and making him hide inside a giant tortoise shell.

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The Still Alarm. The Stronger. No Exit

   

The Still Alarm by Joseph Arthur

The Stronger by August Strinberg

No Exit by Jean-Paul Sartre 

August 31 – September 15, 1962

THE STILL ALARM – The romance between Jack Manley (Harry Lacy) and Elinore Fordham (Blanche Thorne) is looked at askance by the villainous John Bird (Nelson Wheatcroft), who is not above trying to burn the lovers alive. But the New York Fire Department comes to their rescue in time for a happy ending. Its famous scene of horses and engines setting out from the firehouse and of the rescue from a burning building made it one of the most popular plays of the era, especially with backwater audiences. Although New York critics sneered, the play chalked up a run of 104 performances when it returned to Manhattan in March 1888.

THE STRONGER – Women,  Madam X, a married actress, and Mademoiselle Y, an unmarried actress, meet in a cafe. In this one simple scene Strindberg creates an episode of incredible, poetic power – a snapshot of life so intense, so powerful, that it rivals Beckett at his best. Like a Kafka short story, ‘The Stronger’ is rich in allegory and lends itself to many layers of interpretation; it is a play that takes little more than ten minutes to read / perform, but that one can easily spend hours thinking about afterwards. It is moreover, a powerful play, one that makes a deep impression, and leaves one with the illusion that one has travelled far and seen much, even though the entire thing is actually incredibly short.

NO EXIT –  The play begins with a Valet leading a man named Joseph Garcin into a room that the audience soon realizes is in hell (hell is described as a series of “rooms and passages”). The room has no windows, no mirrors, and only one door. Eventually Garcin is joined by Inиs Serrano, and then another woman, Estelle Rigault. After their entry, the Valet leaves and the door is closed and locked. All expect to be tortured, but no torturer arrives. Instead, they are left to probe each other’s sins, desires, and unpleasant memories, gradually realizing that this is their punishment: they are each other’s torturers. At first, the three see events concerning themselves that are happening on Earth, but eventually (as their connection to Earth dwindles and the living move on) they are left with only their own thoughts and the company of the other two. Near the end of the play, Garcin demands he be let out; at his words the door flies open, however, none of the three will leave. This is due partly to the substantial heat and fear of the unknown, but primarily to Garcin’s desire for validation from Inиs that he is not a coward.

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Ladies in Retirement

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Ladies in Retirement

August 14 – August 29, 1964

by Edward Percy and Reginald Denham

Miss Fiske, ex-actress, lives in a remote house with her companion, Ellen Creed. Ellen, who has devoted her life to her sisters, Louisa and Emily (simple-minded maiden ladies), invites them to visit her. These eccentric persons make themselves at home, but when Miss Fiske reminds Ellen it is time for them to go back, they are unwilling to do so. Miss Fiske and Ellen quarrel, and Ellen prepares to send her sisters to London. She has, however, secretly told them that they shall always remain with her. The sisters go for a drive, though Miss Fiske thinks they are leaving for good; the servants have been sent away (by Ellen), and Ellen and Miss Fiske are left alone together. On the return of the sisters Miss Fiske is gone—on a trip, Ellen says—and all three sisters settle down in what they regard as their own home. Meantime, Albert, nephew of the Creed sisters, who had paid a secret visit and got money from Miss Fiske, turns up again. He has robbed a bank and determines to hide with his aunts. Learning that Miss Fiske is away, and suspecting something, he pieces together the evidence. With the help of the maid Lucy, he lays a trap for Ellen, by reproducing in pantomime, in the moonlit living room, the scene of Ellen’s murder of Miss Fiske. Ellen, who faints when she sees what she imagines is the ghost of her victim, plays a courageous but losing game. Knowing that Albert and Lucy realize what she has done, she plans for the security of her sisters and gives up to the police.

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Janus


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Janus

September 11 -September 26, 1964

by Carolyn Green

The respectable wife of a midwestern tycoon leads a double life: every summer she joins a lover in New York to write a best seller under the pen name ‘Janus’.

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